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Bolero - click for larger image
click for larger image
Title Bolero
Category Concert/wind/brass band
Subcategory Symphonic arrangements
Instrumentation Ha (concert/wind band); Fa (fanfare band); Bra (brass band)
Format PrtStm (full score and parts)
Year of publication 2001
Price 106.90 EUR (incl. 10 % Austrian VAT)
Composer Ravel, Maurice
Arranger Wormald, Christopher
Difficulty level 4
Duration 5:28
Additional info/contents Boléro is a one-movement orchestral piece by the French composer Maurice Ravel (1875–1937). Originally composed as a ballet commissioned by Russian actress and dancer Ida Rubinstein, the piece, which premiered in 1928, is Ravel's most famous musical composition. The work had its genesis in a commission from the dancer Ida Rubinstein, who asked Ravel to make an orchestral transcription of six pieces from Isaac Albéniz's set of piano pieces, Iberia. While working on the transcription, Ravel was informed that the movements had already been orchestrated by Spanish conductor Enrique Fernández Arbós, and that copyright law prevented any other arrangement from being made. When Arbós heard of this, he said he would happily waive his rights and allow Ravel to orchestrate the pieces. However, Ravel changed his mind and decided initially to orchestrate one of his own works. He then changed his mind again and decided to write a completely new piece based on the musical form and Spanish dance called bolero.
Conductor Arturo Toscanini gave the American premiere of Boléro with the New York Philharmonic on 14 November 1929.[11] The performance was a great success, bringing "shouts and cheers from the audience" according to a New York Times review, leading one critic to declare that "it was Toscanini who launched the career of the Boléro", and another to claim that Toscanini had made Ravel into "almost an American national hero".[11]
On 4 May 1930, Toscanini performed the work with the New York Philharmonic at the Paris Opéra as part of that orchestra's European tour. Toscanini's tempo was significantly faster than Ravel preferred, and Ravel signaled his disapproval by refusing to respond to Toscanini's gesture during the audience ovation. An exchange took place between the two men backstage after the concert. According to one account, Ravel said, "It's too fast", to which Toscanini responded, "You don't know anything about your own music. It's the only way to save the work". According to another report, Ravel said, "That's not my tempo". Toscanini replied, "When I play it at your tempo, it is not effective", to which Ravel retorted, "Then do not play it". Four months later, Ravel attempted to smooth over relations with Toscanini by sending him a note explaining that "I have always felt that if a composer does not take part in the performance of a work, he must avoid the ovations" and, ten days later, inviting Toscanini to conduct the premiere of his Piano Concerto for the Left Hand, an invitation which was declined.

Quelle/Source: Wikipedia
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Format EUR
Bolero - click here Bolero (concert/wind band; fanfare band; brass band), full score and parts

External download linkFields with a star (*) are only visible for club members after registrationclick here
106.90
Back to the Future - click here Back to the Future, audio CD

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