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Sheet music/scores
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Title
Trompetenkonzert #2 (Trumpet Concerto)
Category
Concert/wind/brass band
Subcategory
Solo for trumpet(s)/flugel horn/cornet
Instrumentation
Ha
(concert/wind band);
Trp
(trumpet in B-flat)
Instrumentation/info
Solo f. 1Trp
Format
PrtStm
(full score and parts)
Publisher's article no.
KL 1848
Year of publication
2005
Composer
Dubrovay, László
Difficulty level
3+
Additional info/contents
Laszlo Dubrovay's "Trumpet Concerto No. 2" is a significant work that can both support the development of talent in brass ensembles and captivate audiences with its colorful and dynamic musical language. The skillful combination of virtuoso solo voice and harmonically rich orchestration makes this work a valuable part of the wind band repertoire and a festive highlight for any performance.
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Programme notes:
The refreshing sound of Laszlo Dubrovay's "Trumpet Concerto No. 2"
Laszlo Dubrovay's "Trumpet Concerto No. 2," composed in 2002 for the Wangen Town Band in Germany, is a striking example of contemporary wind music. With a duration of approximately 18 minutes, the work is divided into three movements: Allegro, Moderato, Libero, and Presto. This concerto for trumpet and wind orchestra not only offers excellent solo passages but also illuminates the harmonic possibilities and tonal spectrum of an intermediate wind orchestra.
1. The first movement, Allegro, opens the concerto with energetic and dynamic motifs. The sound unfolds warmly and invitingly, while the trumpet, the solo instrument, immediately takes center stage. Dubrovay uses varied rhythms and versatile melodies that immediately captivate the listener. The interplay with the orchestra is characterized by a lively dialogue, in which the trumpet acts both as a virtuoso soloist and as an integrative orchestral element. The movement is characterized by strong contrasts, captivating with sudden dynamic shifts and harmonic chromatic shifts. This creates a thrilling sense of forward momentum and immerses the listener in the composer's musical world.
2. The second movement, Moderato, libero, marks an emotional contrast to the first. Here, Dubrovay strikes an introspective, lyrical tone. The movement begins with gentle, flowing lines from the trumpet, underscored by a calm and harmonious orchestral layer. These melancholic melodies allow the soloist to transform his technical skill into a sense of emotion and sensitivity. The term "libero" implies a certain degree of freedom, and indeed, this movement is characterized by a sense of freedom and spontaneity, allowing the trumpet to shimmer in various stylistic nuances. The connection between solo instrument and orchestra creates a sense of community and intimacy that captivates the listener and offers space for reflection and depth.
3. The finale, Presto, brings new energy and brings the concerto to a powerful climax. Dubrovay fully exploits the trumpet's technical capabilities here, presenting rapid passages that showcase the soloist's virtuosity in an exciting way. This movement has a joyful, infectious character that evokes immediate enthusiasm in the audience. By playing with different tempos and tonal textures, the composer succeeds in creating a gripping finale that boasts rhythmic accents and lively melodic turns. The interaction between the trumpet and the entire orchestra creates a dynamic soundscape that leads the listener to a thrilling musical conclusion.
It is a demanding work that presents a variety of technical challenges for the trumpet soloist. These challenges are distributed throughout the entire composition and vary from movement to movement. Overall, Laszlo Dubrovay's "Trumpet Concerto No. 2" presents a comprehensive technical challenge for the trumpet soloist. It demands excellent mastery of the instrument, a high degree of musicality, and the ability to convincingly combine both technical and emotional expression. Working on this work will not only advance the soloist's technical skills but also foster their expressiveness and musical maturity.
The "Trumpet Concerto No. 2" is not only an outstanding work for trumpet and orchestra, but also an important addition to the repertoire of intermediate wind orchestras. Thanks to its versatile combination of technical challenges and emotional expressiveness, the concerto offers both the soloist and the orchestra the opportunity to showcase their talents. The three movements, each highlighting different atmospheric and musical aspects, challenge the musicians and offer the audience a captivating listening experience.
Quelle/Source: musicainfo.net (KI)
Information:
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