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Title	Liechtenstein Marsch
Category	Concert/wind/brass band
Subcategory	Concert march
Instrumentation	Ha (concert/wind band)
Format	PrtStm (full score and parts)
Publisher's article no.	KL 2295
Year of publication	2019
Price	85.00 EUR (incl. 10 % Austrian VAT)
Composer	Strauss, Josef
Arranger	Totzauer, Michael
Opus no.	op. 36
Difficulty level	3
Duration	03:10
Additional info/contents	In May 1857 a concert was held in Vienna on the occasion of the 50th anniversary of the imperial-royal agricultural society. The orchestra was conducted by Josef Strauss, who had composed a march for the occasion, dedicated to the president of the society, Prince Alois of Liechtenstein. A contemporary newspaper praised the performance "of gems from the compositions of the Strauss family and in particular the specially composed 'Liechtenstein March', which was distinguished by its vitality, agility and charm, and to which the composer was given fresh laurels". (© Kliment Musikverlag)
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Sample score	click here
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External link	https://youtu.be/0skx28168bk
Available	yes

Programme notes: The Liechtenstein March, Op. 36 by Josef Strauss: Genesis, Historical Reception, and Modern Arrangement for Wind Orchestra The "Liechtenstein March," Op. 36, by Josef Strauss is one of the most important works of the 19th century in the genre of concert marches. Composed in 1857, the piece was created to commemorate the 50th anniversary of the Imperial and Royal Agricultural Society in Vienna and was dedicated to Prince Alois of Liechtenstein. The premiere, conducted by the composer himself, marked a high point in the Viennese music scene and underscored the close connection between the Strauss dynasty and aristocratic patronage. This article examines the origins, contemporary reception, and significance of Michael Totzauer's modern arrangement for wind orchestra.* • Origins and Dedication Josef Strauss, son of Johann Strauss (father) and brother of Johann Strauss (son), composed the "Liechtenstein March, Op. 36" in 1857. The occasion was the 50th anniversary of the Imperial and Royal Agricultural Society in Vienna, an institution of great social and economic importance. The work was dedicated to Prince Alois of Liechtenstein, who served as president of the society. This dedication was not only an honor but also a sign of appreciation for the Prince's involvement in the cultural and agricultural life of Vienna. The premiere took place in May 1857 and was conducted by Josef Strauss himself. Contemporary accounts emphasize the march's "vitality, agility, and melodic charm," characterized by its lively rhythms and catchy themes. The march quickly became a popular repertoire piece, solidifying Josef Strauss's reputation as a gifted composer of dance and march music. • Contemporary Reception The "Liechtenstein March" received consistently positive reviews in the Viennese press. One contemporary newspaper praised the performance as the "highlight of the evening," highlighting the work's fresh and appealing design. The melodic variety and rhythmic precision were particularly commended, making the march suitable for both concert performances and social occasions. The combination of festivity and musical quality made the march a symbol of 19th-century Viennese musical tradition. The dedication to Prince Alois of Liechtenstein further underscored the close relationship between the Strauss family and the nobility, a relationship characteristic of Vienna's cultural flourishing during this era. Michael Totzauer's modern arrangement Michael Totzauer's arrangement of the Liechtenstein March for wind orchestra allows for a contemporary interpretation of the work that meets the demands of modern ensembles. Totzauer's arrangement is designed for wind orchestras of intermediate to advanced difficulty while preserving the characteristic elements of the original – such as the distinctive melodies and rhythmic precision. The arrangement utilizes the rich sound and dynamic range of a modern wind orchestra, thus expanding the performance possibilities of the march. It makes the work accessible not only to traditional orchestras but also to brass bands and concert orchestras. Totzauer's version contributes to preserving the "Liechtenstein March" as a vibrant concert piece and making it a tangible experience for today's musicians and audiences. • Historical and Musical Significance The "Liechtenstein March, Op. 36" is not only an example of Josef Strauss's musical style, but also a testament to the cultural and social importance of the Strauss dynasty in 19th-century Vienna. The dedication to Prince Alois of Liechtenstein underscores the connection between music and aristocratic patronage that was so characteristic of the Viennese music scene of that era. Contemporary reception emphasized the successful combination of festivity and musical quality, which made the march a permanent fixture of the Classical-Romantic repertoire. Michael Totzauer's modern arrangement highlights the work's enduring popularity and demonstrates how historical compositions can be reinterpreted through contemporary arrangements. • Josef Strauss's Liechtenstein March, Op. 36, remains a significant work in the Viennese march tradition. Its history, its dedication to Prince Alois of Liechtenstein, and its positive contemporary reception reflect the cultural flourishing of the 19th century. Michael Totzauer's arrangement for wind orchestra helps keep the work alive for today's musicians and listeners. It combines historical authenticity with modern sonic possibilities and underscores the march's enduring importance—both as a historical document and as a vibrant concert piece. • Text: musicainfo.net (KI) Quellen/Sources: Dailymotion: Liechtenstein Marsch

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