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Concerto on the Monogram B.E.S.T. - click for larger image
click for larger image
Concerto on the Monogram B.E.S.T. - Sample sheet music
Sample sheet music
Title Concerto on the Monogram B.E.S.T.
Category Concert/wind/brass band
Subcategory Original contemporary music (20th, 21st century)
Instrumentation Ha (concert/wind band)
Format PrtStm (full score and parts)
Publisher's article no. KL 1458
Price 159.00 EUR (incl. 10 % Austrian VAT)
Composer Bestybaev, Adil
Difficulty level 5
Evaluation level of countries D5 (German highest level)
Duration 10:30
Additional info/contents "Concerto on the Monogram B.E.S.T." by Adil Bestybaev is a multifaceted and innovative composition that skillfully combines traditional and modern elements. Each of the nine movements brings a distinct musical idea and contributes to a rich and varied overall structure. This work is a significant contribution to the wind orchestra literature and demonstrates Bestybaev's exceptional talent and creative vision.
Sample sheet music Sample sheet music click here
Sample score Sample score click here
Sound sample
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Programme notes: additional text

"Concerto on the Monogram B.E.S.T." for wind orchestra by Adil Bestybaev

"Concerto on the Monogram B.E.S.T." is an impressive composition for wind orchestra by Kazakh composer Adil Bestybaev. The work, which consists of nine different movements, combines traditional and modern musical elements and reflects Bestybaev's versatility and compositional skill. Each movement of the concerto brings its own mood and musical idea, which together create a rich and varied soundscape.

Analysis of the movements
I. Exposition de fugato (Moderato maestoso)
The first movement, "Exposition de fugato," opens the work with a majestic and solemn mood. Bestybaev uses the form of the fugue here, with different groups of instruments imitatively introducing and developing the theme. This structure gives the movement a complex and polyphonic texture that immediately captivates the listener.

II. The Folk Song (Andante)
"The Folk Song" in the second movement brings a contrast to the formal rigor of the fugue. Here, Bestybaev handles a simple but haunting folk song presented in gentle, lyrical lines. The slow andante tempo marking allows the melodies to unfold freely, creating a warm, emotional atmosphere.

III. Rhythmic Unisono (Moderato)
The third movement, "Rhythmic Unisono," is characterized by striking rhythmic figures played in unison in various instrument groups. This rhythmic energy creates a driving force and dynamic that characterizes the movement. The moderato tempo gives the piece a firm, yet flexible framework.

IV. Intermezzo (Adagio)
The "Intermezzo" in the fourth movement offers a quiet and thoughtful pause. The slow adagio tempo marking and the delicate, introspective melodies create a contemplative mood. This movement serves as a moment of reflection and contrast within the overall composition.

V. Soprano ostinate (Moderato pio mosso - Tempo di marcia)
The fifth movement, "Soprano ostinate," begins with a moderato pio mosso tempo and moves into a "Tempo di marcia." This movement is characterized by a repeated, persistent theme (ostinato) carried by the soprano instruments. The transitions between tempi and the march-like structure give the movement a striking and celebratory character.

VI. Interludio (Andante)
In the sixth movement, "Interludio," Bestybaev returns to an andante tempo to introduce another period of calm and reflection. The music is lyrical and flowing, which creates a gentle and contemplative mood that serves as a bridge to the following, more energetic movements.

VII. The letter's dance (Allegro rock tempo)
"The letter's dance" in the seventh movement brings a completely different atmosphere. With an "Allegro rock tempo", Bestybaev combines elements of rock with the orchestral sound world. The rhythmic and harmonic structures of this movement are lively and stirring, giving the piece a modern and dynamic energy.

VIII. The Folk dance
The eighth movement, "The Folk dance", returns to traditional musical roots. Bestybaev here integrates folkloric melodies and dances that recall the rich musical culture of Kazakhstan. The movement is lively and joyful, with rhythmic dances and colorful instrumentation.

IX. Finale
The ninth and final movement, "Finale", summarizes the themes and moods of the previous movements and brings the work to a powerful conclusion. Bestybaev uses a wide range of dynamic and rhythmic contrasts here to create a tense and triumphant ending. The finale unifies the concerto's various musical ideas and brings them to a satisfying conclusion.

Quelle/Source;: musicainfo.net (KI)
Format EUR
Concerto on the Monogram B.E.S.T. - click here Concerto on the Monogram B.E.S.T. (concert/wind band), full score and parts 159.00
Concerto on the Monogram B.E.S.T. - click here Concerto on the Monogram B.E.S.T. (concert/wind band), full score 39.75
Voice of Asia - click here Voice of Asia, audio CD 20.50

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