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Rast am Franz Josefs Berg, Die - click for larger image
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Rast am Franz Josefs Berg, Die - Sample sheet music
Sample sheet music
Title Rast am Franz Josefs Berg, Die
Category Concert/wind/brass band
Subcategory Solo for trumpet(s)/flugel horn/cornet
Instrumentation Ha (concert/wind band); Flh (flugelhorn)
Instrumentation/info Fantasie f. 1Flh
Format DirStm (Condensed Score and parts)
Publisher's article no. KL 795
Price 52.00 EUR (incl. 10 % Austrian VAT)
Composer Rosenkranz, Anton
Arranger Weber, Hans
Difficulty level 2+
Duration 9:30
Additional info/contents "Die Rast am Franz Josefs Berg" by Anton Rosenkranz, arranged by Hans Weber, is a successful example of the combination of traditional musical culture and contemporary wind band literature. The composition is distinguished by its lyrical melody, the special role of the flugelhorn, and its careful arrangement for intermediate wind bands. It offers wind bands an attractive opportunity to include a musically and culturally significant work in their programs.
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Programme notes: additional text

*Die Rast am Franz Josefs Berg* by Anton Rosenkranz – A composition for flugelhorn solo and intermediate wind orchestra, arranged by Hans Weber

The composition "Die Rast am Franz Josefs Berg" by Anton Rosenkranz is a musical work that impressively reflects both the scenic and cultural aspects of the Austrian mountains. Originally conceived as a solo piece for flugelhorn, the work was arranged by Hans Weber specifically for intermediate wind orchestra. This arrangement expands the tonal possibilities and makes the piece accessible to wind bands seeking challenging yet playable music.

Origin and Background

Anton Rosenkranz, a composer with strong ties to Austrian musical tradition, wrote "Die Rast am Franz Josefs Berg" as a tribute to the Alpine landscape and the tranquility that a rest in the mountains conveys. Franz Josefs Berg, named after Emperor Franz Joseph I, symbolizes not only the majestic nature but also the cultural connection to the region. The composition captures this atmosphere and invites the listener to experience the stillness and majesty of the mountain musically.

Musical Structure and Stylistic Features

The work is divided into several sections that depict different moods and landscapes. The melody of the flugelhorn solo is lyrical and expressive, characterized by gentle, lyrical lines reminiscent of the echoes of the mountains. Harmonically, the piece moves within a tonal framework that combines traditional elements with a modern sound language, without losing its accessibility for intermediate orchestras.

The role of the flugelhorn as a solo instrument is particularly noteworthy. With its warm, mellow sound, it is ideally suited to conveying the tranquil and contemplative mood of rest. The melodic lead lies clearly with the flugelhorn, while the accompanying wind orchestra creates a supporting and atmospheric soundscape.

Instrumentation and Significance of the Arrangement

Hans Weber's arrangement for intermediate wind orchestra takes into account the technical capabilities and performance level of intermediate-level wind bands. Careful arrangements ensure a balanced distribution of the parts, ensuring the work remains playable despite its rich tonal range. The arrangement allows the characteristic timbres of the original to be preserved while simultaneously incorporating the tonal diversity of a wind orchestra.

This adaptation is particularly valuable for bands wishing to expand their repertoire with challenging yet accessible works. It offers a successful combination of soloist and ensemble and promotes musical interplay and interpretive creativity.

*"Die Rast am Franz Josefs Berg" combines musical quality with cultural identity. The work not only conveys a scenic impression but also a sense of connection with the Austrian mountains and their traditions. For wind bands, it offers the opportunity to perform a piece with regional relevance and high artistic standards. The composition and its arrangement thus enrich the wind band repertoire and strengthen the musicians' identification with their musical homeland. At the same time, the work challenges the soloists and orchestra to convincingly portray the atmosphere and character of the mountain rest.*
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