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Salut a Luxemburg - click for larger image
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Salut a Luxemburg - Sample sheet music
Sample sheet music
Title Salut a Luxemburg
Category Concert/wind/brass band
Subcategory Street march
Instrumentation Ha (concert/wind band)
Instrumentation/info MBF (card size)
Format DirStm (Condensed Score and parts)
Publisher's article no. KL 632
Double number/set Libertas-Marsch
Year of publication 1966
Price 39.00 EUR (incl. 10 % Austrian VAT)
Composer Patzke, Edmund
Arranger Kliment, Hans II
Difficulty level 2
Duration 2:30
Additional info/contents Luxembourgish military band, which was reorganized in 1896 along Austrian lines, developed into an indispensable part of national identity and culture. Compositions such as "Salut a Luxemburg" by Edmund Patzke keep this tradition alive. Hans Kliment's arrangement for intermediate wind orchestra demonstrates not only the work's musical adaptability but also the lasting influence of military band music on Luxembourg society. By simplifying complex structures, Kliment gives new generations access to an important cultural heritage that continues to play a central role in the Luxembourgish musical landscape.
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Sample score Sample score click here
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Programme notes: additional text

The History of Luxembourg Military Music in the Context of the March Composition "Salut a Luxemburg" by Edmund Patzke

The roots of Luxembourg military music date back to the 19th century, when the military structure of the Grand Duchy was formally established. The most significant turning point occurred in 1896, when Luxembourg military music was reorganized along the lines of Austrian military music. This reform was driven by the need to promote military discipline and the social relevance of music. Until then, military music in Luxembourg had been organized sporadically and often according to the practices of other countries.

The reorganization was carried out under the direction of military and musical leaders who strove to professionalize the ensembles and strengthen the musical identity of the troops. As a result of these efforts, military music assumed a central role in public celebrations, military ceremonies, and national festivals. This commitment contributed significantly to Luxembourg's cultural perception and identity, with military music serving as a link between the population and the army.

The march composition "Salut a Luxemburg" by Edmund Patzke

An outstanding composition in the history of Luxembourg military music is "Salut a Luxemburg," written by composer Edmund Patzke. The march composition, which is part of the Grand Duchy's military music repertoire, is characterized by its catchy melody and striking rhythm. These elements are suitable not only for military parades but also for ceremonial performances in civil society.

Musically, "Salut a Luxemburg" is characterized by characteristic march structures. The use of march-typical rhythms—clearly structured time signatures, accentuated beats, and dynamic changes—promotes dance-like movement and discipline. The march conveys a sense of pride and national consciousness, which is supported by the use of brilliant wind instruments.

The harmonic arrangement in the first part of the work is particularly interesting. Patzke uses a mixture of major and minor chords, creating emotional depth and an uplifting mood. This reflects the dual nature of military music: on the one hand, the rigid, disciplinary aspects of the army, and on the other, the solemnity and sense of community that the music evokes.

The arrangement for intermediate wind orchestra by Hans Kliment

Hans Kliment's arrangement of "Salut a Luxemburg" for intermediate wind orchestra represents an important adaptation to make the work accessible to a wider musical base. Kliment, a renowned arranger, has set himself the task of preserving the original essence and character of the piece while also making it suitable for less experienced musicians.

Analyzing Kliment's arrangement, it becomes clear that he has preserved the harmonic structures and melodic progression of Patzke's original. However, the instrumentation is adapted to optimally utilize the special sonic spectrum of a wind orchestra. Kliment has deliberately emphasized certain instruments to make the march more sonically rich without losing the original clarity and conciseness of the melody.

Kliment pays additional attention to dynamic realization and intonation, making the arrangement ideal for lower-level wind orchestras. The energy peaks and transitions between the various sections are designed to guarantee an exciting and engaging performance.

Quelle/source: musicainfo.net (KI)

Information:
Dr. Elisabeth Anzenberger, Dr. Friedrich Anzenberger

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