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Vilja-Lied aus der Operette 'Die Lustige Witwe' - click for larger image
click for larger image
Vilja-Lied aus der Operette 'Die Lustige Witwe' - Sample sheet music
Sample sheet music
Title Vilja-Lied aus der Operette 'Die Lustige Witwe'
Category Concert/wind/brass band
Subcategory Music from operetta, lyrical drama
Instrumentation Ha (concert/wind band); [ (optional); VoSoSop (soprano vocal); adlib (ad libitum); ]
Format PrtStm (full score and parts)
Publisher's article no. KL 2251
Year of publication 2015
Price 79.00 EUR (incl. 10 % Austrian VAT)
Composer Lehár, Franz
Arranger Kanz, Joseph
Difficulty level 2+
Additional info/contents No. 2 from the suite 'The Merry Widow'
This song of the forest girl (Vilja song) is one of the most popular songs from the operetta "The Merry Widow".
This arrangement can be performed with or without a vocal soloist. If a soprano is accompanied, the sound balance must be taken into account from case to case.

Prt
Voc (opt.)

Flt 1/EsClr,(2/PicFlt)
Ob 1,2
EHrn
Clr 1,2,3
ASax 1,2
TSax
BSax/Fag/BClr

Flh 1,2
Trp 1,2,3
Tnh
Hrn in F+Eb 1,2,3,4
Trb in C 1,2 (BC)
Trb in Bb 1,2 (BC+TC)
BsTrb in C (BC)
BsTrb in Bb (BC+TC)
Brt in C (BC)
Brt in Bb (BC+TC)
Euph in C (BC)
Euph in Bb (BC+TC)
EsTub (BC+TC)
BTub (BC+TC)
Tub in C 1,2

KB
Tmp
BD
MCym
SD
Sample sheet music Sample sheet music click here
Sample score Sample score click here
Video sample Do you know of a video that demonstrates this item well? Please send us a link or send us the video via e-mail (office@kliment.at) or snail mail. Thank you.
External link external link https://youtu.be/yEEzmDKjloo
Available yes yes
Programme notes: additional text

Report on the operetta "The Merry Widow" and the "Vilja-Lied" by Franz Lehár

The operetta "The Merry Widow" by Franz Lehár, which premiered in 1905, is one of the best-known and most popular works of the genre. The plot revolves around the wealthy widow Hanna Glawari, who is encouraged by a charming but penniless diplomat named Danilo Danilovich. Themes such as love, money, and early 20th-century French elegance play a central role. Particularly famous is the "Vilja-Lied," sung by the main character Hanna, which is distinguished by its melodic beauty. Joseph Kanz's arrangement for intermediate wind orchestra offers an enriching experience for both musicians and audience, especially when a vocal soloist takes on Hanna's voice.

The "Vilja Song" describes the protagonist's longing and is a pivotal moment in the operetta, delving deeply into the characters' emotional world. The melody is catchy and imbued with a romanticism that speaks directly to the audience. The song tells the story of Vili, the enchanting water nymph, and is often interpreted as an expression of hope and loss. The expressive harmonies and lyrical lines make this song a highlight of any performance cycle.

The arrangement for intermediate wind orchestra

Joseph Kanz's arrangement for intermediate wind orchestra allows for a flexible performance of the "Vilja Song." It was designed to be played both with and without a vocal soloist. This flexibility is a great advantage for music schools and amateur orchestras, as they can vary depending on the ensemble and the availability of soloists.

One of the biggest challenges in performing with a soprano lies in the tonal balance between the wind orchestra and the vocal part. The conducting bandleader plays a crucial role in ensuring that the instruments do not overpower the soloist.

To optimize balance, the bandleader can take the following measures:
- Adjust dynamics: It is important that the instruments reduce their volume during the accompaniment passages. If necessary, return to a medium volume while the soloist sings the lyrics. This can be achieved by playing softly with the woodwinds and adding gentle accents with the brass.
- Consider timbre: The selection of background instruments should be such that they harmoniously support the soprano without distracting from her. Soft timbres, such as those of the flute or the angelic hollow body of the horn, can play a key role.
- Draw attention to the singer: The musicians should concentrate on their playing during the singing and support the soloist's performance by simultaneously preparing for the vocal elements of the piece.
- Rehearsals and communication: Close coordination between the musicians and the soloist during rehearsals is crucial. Sufficient time should be planned so that both the singer and the orchestra can work on tonal unity.

Joseph Kanz's arrangement of the "Vilja Song" for intermediate wind orchestra presents a wonderful opportunity to experience this romantic and emotional piece in a new way. By carefully considering the tonal balance and dynamics, both the musicians and the audience can enjoy a fulfilling experience that brings the magical world of Franz Lehár's operetta to life. Such an approach not only contributes to musical education, but also promotes interaction and understanding of the protagonists and their stories for everyone involved.

Quelle/Source: musicainfo.net (KI)

Information:
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