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Sample sheet music

Title	Csardas (aus 'Die Fledermaus')
Category	Concert/wind/brass band
Subcategory	Solo for voice/song
Instrumentation	Ha (concert/wind band); VoSoSop (soprano vocal)
Instrumentation/info	Solo f. 1VoSo
Format	PrtStm (full score and parts)
Publisher's article no.	KL 1758
Price	79.00 EUR (incl. 10 % Austrian VAT)
Composer	Strauss, Johann Sohn
Arranger	Zelch, Emil
Difficulty level	4
Duration	4:00
Additional info/contents	A colorful, happy crwd gathers at the masked ball of Prince Orlovsky, and real-world class differences cease to play a role: bourgeois gentlemen become lords, and servant girls become ladies. And Rosalinde, who wants to catch his husband Eisenstein cheating on her, is ofcourse also costumed. At first, nobody believesthat she is a Hungarian countess - but as soon as she calls up "sounds from back home" with a passionate "csárdás", everyone is at her back and call. A tourde-de-force of everything that's operetta.
Sample sheet music	click here
Sample score	click here
Sound sample
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Programme notes: Die Fledermaus: The Musical and Cultural Significance of the Operetta and the Adaptation of "Csardas" The operetta "Die Fledermaus" by Johann Strauss Jr., premiered in Vienna in 1874, is considered one of the masterpieces of the so-called Viennese operetta. It is not only characterized by its melodic richness and witty humor, but also reflects the spirit of the era in the cultural melting pot of Vienna. This lively comedy, which tells a story of disguise, misunderstandings, and amorous adventures, exemplifies the cheerful, lighthearted atmosphere that characterized 19th-century Viennese society. One of the most notable musical elements of the operetta is the "Csardas," a Hungarian folk dance heard in the third act. This dance form reflects the diversity of cultural influences that contributed to the musical identity of Viennese operetta. In Emil Zelch's arrangement for solo soprano and advanced wind orchestra, the "Csardas" is not only stylistically recreated but also reinterpreted in its emotional depth. The "Csardas" in "Die Fledermaus" is an outstanding example of the fusion of operatic and folk music traditions. It begins in the slow, melancholic tempo typical of the Csardas and then builds to faster, virtuosic passages. These dynamic changes reflect the characters' joy and pain, inviting the performer to demonstrate both technical virtuosity and emotional depth. In his arrangement, Emil Zelch succeeds in preserving the momentum and rhythmic agility of the original. The additional dimension that a wind orchestra can provide enables a rich, tonal texture that beautifully underlines and enhances the melodies of the solo soprano. The "Csardas" becomes a powerful climax of the performance, challenging not only the singer's skills but also those of the orchestra. "Die Fledermaus" is more than just a musical work – it is a reflection of its time. The operetta addresses social issues, human vanity, and the transience of happiness. With its intrigue and disguises, the audience is encouraged to laugh and smile, while simultaneously hinting at deeper human emotions. This makes "Die Fledermaus" a timeless piece that continues to fascinate audiences and performers today. The use of the Csardas in the operetta also reflects the contemplation of national identities: The Csardas is a symbol of Hungarian culture and reflects the multi-ethnic society of the Habsburg Empire. In Zelch's adaptation, this cultural richness comes alive and appeals to young musicians and performers, who may not only gain insight into 19th-century music but also experience a sense of a shared European identity. Emil Zelch's arrangement of "Csardas" from "Die Fledermaus" is a successful synthesis of tradition and innovation, honoring the musical brilliance of Johann Strauss Jr. while also allowing space for modern interpretations. The combination of solo soprano and wind orchestra creates a powerful and captivating sound experience that transports listeners into the joyful and multifaceted world of Viennese operetta. This arrangement is not only a homage to one of the most famous operettas, but also a contribution to the preservation and transmission of this important cultural achievement. Quelle/Source: musicainfo.net (KI) Information: Wikipedia

	Format	EUR
	Csardas (aus 'Die Fledermaus') (concert/wind band; soprano vocal), full score and parts	79.00
	Csardas (aus 'Die Fledermaus') (concert/wind band; soprano), full score
	Tritsch Tratsch, audio CD	20.50

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