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Title	Rosen aus dem Süden
Category	Concert/wind/brass band
Subcategory	Concert waltz
Instrumentation	Ha (concert/wind band)
Format	PrtStm (full score and parts)
Publisher's article no.	KL 391
Series title	Wiener Musik Edition
Year of publication	1937
Price	126.00 EUR (incl. 10 % Austrian VAT)
Composer	Strauss, Johann Sohn
Arranger	Kliment, Hans
Opus no.	Op.388
Difficulty level	3+
Additional info/contents	'Roses from the South' is a waltz based on the operetta "Das Spitzentuch der Königin", and was only premiered a few weeks after the operetta. Johann Strauss conducted it himself in the context of a concert of his brother Eduard, on November 7, 1880 in the Musikvereinssaal in Vienna.
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Programme notes: Roses from the South, Op. 388 – Origin, Meaning, and Wind Orchestra Arrangement by Hans Kliment The waltz "Roses from the South," Op. 388, was composed in 1880 and is a work by Johann Strauss II. It is based on melodies from the operetta "The Queen's Lace Handkerchief," which premiered in Vienna on October 1, 1880. The waltz itself was first performed shortly thereafter, also under the direction of Johann Strauss. The composition is considered a typical example of the Viennese waltz and combines romantic melodies with the verve and elegance characteristic of Strauss. The waltz's themes are closely linked to the operetta, giving it a narrative depth that transcends mere dance music. Musically, "Roses from the South" is characterized by a clear, catchy melody and harmonically balanced instrumentation. The structure follows the classic form of a concert waltz: introduction, five waltz sections, and a coda. The use of strings and woodwinds, which lend the work its characteristic sound, is particularly noteworthy. The waltz was well-received from the outset; it remains one of Johann Strauss's most popular works and is performed in concert halls worldwide. The wind band arrangement by Hans Kliment Hans Kliment's arrangement for wind band is a significant adaptation of the original work. Kliment, a renowned Austrian composer and arranger, translated the waltz's characteristic melodies and harmonic structures into a musical language perfectly suited to the specific characteristics of a wind band. This arrangement is specifically designed for the needs of wind orchestras, which often perform in festive or concert settings.* Features of the arrangement: - Instrumentation: Kliment utilizes the tonal diversity of a wind orchestra to emphasize the romantic melodies of the original. The woodwind and brass sections, in particular, are given solo passages that preserve the waltz character while simultaneously showcasing the power and brilliance of a wind ensemble. - Dynamic range: The arrangement takes into account the dynamic possibilities of a wind orchestra, resulting in a vibrant and expressive performance. - Structural fidelity: Kliment adheres closely to the original form of the waltz, allowing the arrangement to be perceived as an independent work that nevertheless retains the essence of the original. This wind orchestra version is especially popular in the wind band scene, as it enables ensembles to include a classic Viennese waltz in their repertoire. It is frequently performed at concerts, parades, and music festivals, thus contributing to the work's dissemination in a new musical context. Reception and Significance of Both Versions The original waltz "Roses from the South" is a staple of the classical repertoire and is regularly performed by symphony orchestras worldwide. Its popularity stems from its catchy melody and its connection to the operetta "The Queen's Lace Handkerchief." In the Viennese Classical and Romantic periods, it is considered a prime example of the fusion of dance music and operetta-like narrative structure. Hans Kliment's arrangement for wind band has opened up a new target audience for the work: wind orchestras and wind ensembles. Through this adaptation for wind instruments, the waltz has also become popular in rural areas and at folk festivals, where wind bands play a central role. The arrangement is often praised as a successful synthesis of classical tradition and modern wind band practice. It allows ensembles to include a piece from the Viennese waltz tradition in their repertoire without having to forgo the typical tonal colors of a wind orchestra. * Johann Strauss II's "Roses from the South," Op. 388, is not only a masterpiece of the Viennese waltz tradition but also an example of the successful adaptation of classical music into new soundscapes. Hans Kliment's arrangement for wind orchestra has made the work accessible to a wider audience and highlighted its musical diversity. Both versions—the original and the wind orchestra version—remain integral parts of our musical heritage and are appreciated in various contexts. * Text: musicainfo.net (KI) Quellen/Sources: Kliment: Rosen aus dem Süden Wikipedia: Rosen aus dem Süden IMSLP: Rosen aus dem Süden, Op.388 Tags: Flora, world of plantst

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